Laurell K. Hamilton knock-off for teens?
I received a galley recently from HarperTeen that seems to take a page from Laurell K. Hamilton’s Merry Gentry series.
Hamilton is probably St. Louis’ best-selling author. Her sexy vampire hunter Anita Blake is probably her most popular series. But her Merry Gentry series - which features a gal who’s part human and part faerie and pops in bed with lots of paranormal creatures - is also humming along. Both series are very erotic.
A book that pubs in late April, “Ink Exchange” by Melissa Marr, is the second in a series that apparently also features faeries who live among mortals. A 17-year-old gets a tattoo apparently and then learns about the different Faery Courts. According to publicity material, the girl is unable to resist its allures in this ‘ravishing story’ of temptation.
Here’s the only online picture of the cover that I could find.
Of course the cliche is that ‘imitation is the sincerest form of flattery’ but where does flattery end and copyright infringement begin? The book’s jacket even looks like the photos on Hamilton’s books.
Another issue: A lot of parents might not think this series should be marketed to 12-year-olds, as it apparently will be. There’s a lot of difference between a 17-year-old girl and a 12-year-old girl.
On the other hand, most of the popular series being marketed to teen girls seem to involve beauty, sex and lots of designer purses. Maybe fantasy tattoos and paranormal love interests are no worse. I’m not suggesting that books lead girls down the path to teen pregnancy. But with the sexualization of girls starting so young in all facets of culture, should parents speak up about what they see? Thoughts?


Ms. Henderson,
If you had bothered to research before comparing the two authors–research by, say, reading the books you planned to compare, you would have found that the two authors and series are quite dissimilar.
Wicked Lovely is a wonderful novel which I would happily give to any girl age thirteen and up. At heart, Wicked Lovely is modern fable about teenaged girl’s struggle to navigate our culture’s opposing, oppressive stereotypes of femininity–”Summer Girls” who care nothing for the future, and recklessly trade on their looks and sexuality, or the “Winter Girl,” powerful and knowledgeable but cold.
The heroine of Wicked Lovely dares to find her own way through these opposing pressures, to avoid the cage-like roles the strange, new world of faerie (or, of modern adulthood) try to force on her and become her own person. She does not trade on her looks or her sexuality, but her intelligence, her compassion, and her willingness to look beyond the arbitrary constraints set out by society.
Any parent should consider themselves lucky if their daughter asks for Wicked Lovely instead of the latest Gossip Girl novel.