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06.21.2007 8:36 am

The Colin Graham memorial concert

Post-Dispatch Classical Music

Colin Graham was given exactly the kind of sendoff he wanted Tuesday night: good music, people who loved him, and real food to follow.

Graham, the longtime artistic director of Opera Theatre of Saint Louis, died on April 6 - Good Friday - of heart disease. He’d had time to think about what he wanted in a memorial, and the details of the concert were his plan.

The short speeches that came between musical numbers were humorous and laced with impersonations of Graham himself; general director Charles MacKay’s was probably the most spot-on. But Graham’s personality - demanding but generous, exacting but kind, fueled by a love of theater and music, and a love of the people who create it - came through clearly.

There was some splendid music-making, too, most notably the quintet from Wagner’s “Die Meistersinger,”   with soprano Kelly Kaduce, mezzo-soprano Dorothy Byrne, tenors Paul Appleby and Brandon Jovanovich, and baritone Robert Gierlach, with Stephen Lord conducting; the gorgeous duet from “The Ghosts of Versailles,” “Come now, my darling,” beautifully sung by soprano Ailyn Perez and mezzo-soprano Mary Ann McCormick, led by George Manahan; and, especially, Christine Brewer’s stunning “Liebestod,” again with Lord. (Lord didn’t speak; he didn’t have to. It all came through in the music.)

Afterward, most of the crowd - a Who’s Who of the St. Louis arts community - mingled over champagne up at the big tent, laughed and talked, and lingered late. It was a wonderful night, in every sense of the word, and a fine celebration of a life well lived. Colin, you are loved.

3 comments

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I was at the concert, as it turned out pretty much against the wall stage right. This allowed me to see one-half of the Gerdine Young Artists line up for the finale, from Bernstein’s Candide, “Make Our Garden Grow”. I saw from a quick glance that several of the singers were on the verge of crying.

People I spoke with outside were all impressed at how well programmed the concert was. It was also enlightening to learn of John Nelson’s connection to OTSL, which I had not realized before. Quite an occasion, the evening.

— Geo.
1:31 pm June 21st, 2007

Speaking of opera ….I really enjoyed the performance of Magic Flute at Union Avenue Opera the other night, and wondered why it was never reviewed?

— Doodle11
3:19 pm July 9th, 2007

Because I was out of the country and unavailable to review it myself, and the editors apparently decided not to send anyone else.

— Sarah Bryan Miller
9:52 pm July 9th, 2007