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ClarkKimble
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Post subject: Attn.: UMSL Birdie
Posted: 16 Oct 2009 17:14 pm
From today's USA Today;

http://www.usatoday.com/life/theater/reviews/2009-10-15-bye-bye-birdie_N.htm

"Also, new this week on DVD:
"Every Little Step" **** 2009, Sony, PG-13, $29

Outstanding enough to deserve the 2009 documentary Oscar at next March's telecast. Though you never know in this category.

Back story: If Michael Bennett's A Chorus Line remains the ultimate word on the sacrifice professional dancing entails, its rival must be this first-hand backstage chronicle of the play's 2006 revival. Full of reminiscing principals (some key as well to the original's success), this one's a nail-biter, thanks to the competitive audition process. But it's also poignant: dancers, like jocks, have only brutally finite years to succeed.

Extras, extras: Commentary by composer Marvin Hamlisch and Step co-directors James D. Stern and Adam Del Rio; interview with revival director Bob Avian and dancer/choreographer Baayork Lee; a terrific deleted-scenes section; and the recollections of dance legend Donna McKechnie."

Re "A Chorus Line" and Marvin Hamlisch: He was here last summer to head up the San Diego Pops series, and did a revealing half-hour interview for a local TV station.

He said the entire story of "A Chorus Line" came from Michael Bennett taking a tape recorder with him to dance auditions and hearing the griping and frustration of the audition process....which will seem an awful lot like what job applicants for ANY industry go through today.

Or, to quote from Bob Fosse's brilliant "All That Jazz":
Dancer one, rejected by Fosse at audition: "Screw him!!, He NEVER picks me!"
Dancer two, also rejected by Fosse: "Honey, I DID screw him, and he never picks ME, neither."

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umslbirdie
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Post subject: Re: Attn.: UMSL Birdie
Posted: 17 Oct 2009 17:18 pm

ClarkKimble wrote

From today's USA Today;

http://www.usatoday.com/life/theater/reviews/2009-10-15-bye-bye-birdie_N.htm

"Also, new this week on DVD:
"Every Little Step" **** 2009, Sony, PG-13, $29

Outstanding enough to deserve the 2009 documentary Oscar at next March's telecast. Though you never know in this category.

Back story: If Michael Bennett's A Chorus Line remains the ultimate word on the sacrifice professional dancing entails, its rival must be this first-hand backstage chronicle of the play's 2006 revival. Full of reminiscing principals (some key as well to the original's success), this one's a nail-biter, thanks to the competitive audition process. But it's also poignant: dancers, like jocks, have only brutally finite years to succeed.

Extras, extras: Commentary by composer Marvin Hamlisch and Step co-directors James D. Stern and Adam Del Rio; interview with revival director Bob Avian and dancer/choreographer Baayork Lee; a terrific deleted-scenes section; and the recollections of dance legend Donna McKechnie."

Re "A Chorus Line" and Marvin Hamlisch: He was here last summer to head up the San Diego Pops series, and did a revealing half-hour interview for a local TV station.

He said the entire story of "A Chorus Line" came from Michael Bennett taking a tape recorder with him to dance auditions and hearing the griping and frustration of the audition process....which will seem an awful lot like what job applicants for ANY industry go through today.

Or, to quote from Bob Fosse's brilliant "All That Jazz":
Dancer one, rejected by Fosse at audition: "Screw him!!, He NEVER picks me!"
Dancer two, also rejected by Fosse: "Honey, I DID screw him, and he never picks ME, neither."


Thanks, Clark.
The Movie SHOULD have been mentioned in the thread from a week or so ago about great stage plays made into mediocre movies.

It IS the definitive Musical about the Show-Biz Life. I didn't have the psychological makeup to last past my 30th birthday. Once you become a Father- stuff changes. The St. Louis folks who have made it seem to be from West County with the exception of the Fantastic Mr. Goodman (we had the same Acting Teacher at SWMS) and John didn't have kids at the time. It is about as crazy a way to make a living as there ever was. I went from being treated like a God on location in the High Desert for two months to being evicted from my apartment behind The Chinese Theatre three months later. I have lost roles in final callbacks for being too short (I am six feet tall) and for being too big. Hasselhoff in "Knightrider" didn't like to beat up Bad Guys who were smaller than him and in "General Hospital"they went with a skinny little guy to play the wounded gangster who is CARRIED around a lot.
The actual PROCESS of rehearsal and Performance still is sublime and I still work at a very high level in my SPARE time. The stage musical I did two years ago won LA awards and we got to do it Off-Broadway for a Festival in New York in 2007.
Out of our "blessed" group at RGHS none of us really made it in the biz. Tina moved to NYC and got tired of director's tryin' to screw her. She was in a serious relationship with Actor Chris Cooper for a good while. Peggy was a good Actress, but her younger sister Lavonne is now one of the queens of St. Louis Theatre. SHE had to quit the durn stage actor's union AEA- so she could work more frequently. Truly a nutty vocation.

I was only a serious dancer for about three months. Thank God I was an ex-HS Football and Ice Hockey Player. I was NOT prepared to use most of the muscles required and remain in awe of Professional Dancers as Athletes to this day. Not only their conditioning, but any NHL or NFL'r would be proud of their pain thresholds.
For that brief season I was truly the "triple-threat" performer -Sing (B), Dance (C+) and Act (A-) and there was hardly a show I couldn't audition for.
One of the coolest things about being a Straight Male Dancer is the outrageousness of the Dressing Rooms. ALSO- almost all the Female Dancers are straight so...you do the Math. Ahhhhhhh.......1979. Herpes was only being discovered and AIDS was years away. ........good times.....

I will DEFINITELY watch the film.
Thanks.
It's what I did for Love...


update:
Last Night got a call from the Writer/Director of the above mentioned Musical. He was out with a Producer and he very nicely pitched the hell outta me for an audition for a pilot that seems to be right up my alley.
As St. Joaquim would say, "Youneverknow".

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ClarkKimble
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Post subject: Re: Attn.: UMSL Birdie
Posted: 23 Oct 2009 16:06 pm
UMSL, thanks so much for the firsthand account of the craziness and insecurity of showbiz.

I can't even count the number of times I've heard successful (by our standards) actors and actresses say, upon completion of their latest hit film or show, "I live in constant fear that this is the last job I'll ever have."

I've heard the often-heartbreaking audition process described as "Imagine, if you're a stay-at-home mom with a breadwinner husband, having to go door-to-door in a strange neighborhood, with your children, trying to convince every man who answers the door to support you financially for the next few months."

That's why seeing "A Chorus Line" always brought me to tears, with those aspirants all knowing they're all qualified...but only 8 will make it through. It's like "American Idol"'s entire season boiled down to two hours.

And, re your mention of being perhaps the only straight male dancer in a troupe where male/female dressing rooms are asexual....anybody who is afraid to join the military because "it means showering with (potential) gays!!" should know that if they've ever belonged to a fitness club, YMCA, etc.,.....they've already showered with gays.

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umslbirdie
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Post subject: Re: Attn.: UMSL Birdie
Posted: 24 Oct 2009 15:07 pm

ClarkKimble wrote

UMSL, thanks so much for the firsthand account of the craziness and insecurity of showbiz.

I can't even count the number of times I've heard successful (by our standards) actors and actresses say, upon completion of their latest hit film or show, "I live in constant fear that this is the last job I'll ever have."

I've heard the often-heartbreaking audition process described as "Imagine, if you're a stay-at-home mom with a breadwinner husband, having to go door-to-door in a strange neighborhood, with your children, trying to convince every man who answers the door to support you financially for the next few months."

That's why seeing "A Chorus Line" always brought me to tears, with those aspirants all knowing they're all qualified...but only 8 will make it through. It's like "American Idol"'s entire season boiled down to two hours.

And, re your mention of being perhaps the only straight male dancer in a troupe where male/female dressing rooms are asexual....anybody who is afraid to join the military because "it means showering with (potential) gays!!" should know that if they've ever belonged to a fitness club, YMCA, etc.,.....they've already showered with gays.


I wasn't totally clear on dressing rooms, although Lightning fast costume changes require dressing without a "room". I have exited a scene several times only to walk backstage or into the wings and bump into a gorgeous and nearly naked Actress in the middle of a change. I didn't mean the dressing rooms were asexual or communal. In professional theater they never are- although semi-pro or "off-off-Broadway" is another story. The gayest dressing room I was ever in had five flamers, a quiet guy who was trying to pass, a really nebbish straight guy (who couldn't really dance, btw) and me. after two months I almost believed I was gay. I actually stood close to the cutest guy just to see if my heart rate went up. It didn't. I remembered that I really was straight and continued bangin' half the ladies in the show...
Hey- we were all young, in excellent shape, and had needs. And it was the Seventies.

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ClarkKimble
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Post subject: Re: Attn.: UMSL Birdie
Posted: 25 Oct 2009 19:18 pm

umslbirdie wrote

[. I remembered that I really was straight and continued bangin' half the ladies in the show...
Hey- we were all young, in excellent shape, and had needs. And it was the Seventies.


No wonder in those days Moline Acres was "such a cheery place"...... Laughing

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umslbirdie
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Post subject: Re: Attn.: UMSL Birdie
Posted: 03 Nov 2009 14:03 pm

ClarkKimble wrote

umslbirdie wrote

[. I remembered that I really was straight and continued bangin' half the ladies in the show...
Hey- we were all young, in excellent shape, and had needs. And it was the Seventies.


No wonder in those days Moline Acres was "such a cheery place"...... Laughing


It was still cheery once you crossed Chambers Rd into Castle Point from what I hear Clarkster-

The ACTOR'S LIFE! AAAaaaaaaarrrrrgggghhhhhh.....

My audition last week was for one of the leads in what sounds like a fantastic series. It is a "new" channel and "service". Founded by Paramount and Lionsgate and others the EPIX channel will begin online as a subscription competitor of HULU. It will become a cable channel in the spring and the very first series they greenlit is called "Tough Trade". It deals with three generations of Country Music stars and their VERY dysfunctional relationships. I read for the middle generation head and had a great reading. The creator is an award winning writer who got into show biz to send his sons to good colleges. He is story boss for TRUE BLOOD and has written for WEEDS. He LOVED my audition and kept me around to chat for five minutes about out shared Appalachian Heritage. Being merely the creator and Co=Producer didn't carry enough weight as two of the three "Main" producers didn't like me.

That's Show Biz.

Update- Creator e-mailed my Director buddy sayin' I will be considered for a non-lead role!

frickin' ROLLER COASTER....
but I'm currently UP!

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