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'Once Upon a Time ... in Hollywood' leads St. Louis Film Critics' nominations

'Once Upon a Time ... in Hollywood' leads St. Louis Film Critics' nominations

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Once Upon a Time in Hollywood

Brad Pitt in "Once Upon a Time in Hollywood"

Photo by Andrew Cooper, Columbia Pictures

Quentin Tarantino's history-bending drama "Once Upon a Time ... in Hollywood" leads the pack with 10 nominations from the St. Louis Film Critics' Association for the group's annual awards. 

The awards will be announced Dec. 16.

Martin Scorsese's lengthy but searing gangster film "The Irishman" and Noah Baumbach's dissolving-marriage story, "Marriage Story" are just behind with nine nominations apiece.

The nominees:

BEST FILM

"1917"

"Dolemite is My Name"

"The Irishman"

"JoJo Rabbit"

"Little Women"

"Long Day's Journey Into Night"

"Marriage Story"

"Once Upon a Time ... in Hollywood"

"The Two Popes"

"Waves"

BEST DIRECTOR

Bong Joon-Ho, "Parasite"

Sam Mendes, "1917"

Martin Scorsese, "The Irishman"

Quentin Tarantino, “Once Upon a Time…in Hollywood”

Taika Waititi, “JoJo Rabbit”

BEST ACTOR

Adam Driver, “Marriage Story”

Eddie Murphy, “Dolemite Is My Name”

Joaquin Phoenix, “Joker”

Jonathan Pryce, “The Two Popes”

Adam Sandler, “Uncut Gems”

BEST ACTRESS

Cynthia Erivo, “Harriet”

Scarlett Johansson, “Marriage Story”

Saoirse Ronan, “Little Women”

Charlize Theron, “Bombshell”

Renee Zellweger, “Judy”

BEST SUPPORTING ACTOR

Brad Pitt, “Once Upon a Time…in Hollywood”

Anthony Hopkins, “The Two Popes”

Al Pacino, “The Irishman”

Joe Pesci, “The Irishman”

Wesley Snipes,“Dolemite Is My Name”

BEST SUPPORTING ACTRESS

Annette Bening, “The Report”

Laura Dern, in “Marriage Story”

Scarlett Johansson, “JoJo Rabbit”

Florence Pugh, “Little Women”

Margot Robbie, “Once Upon a Time…in Hollywood” and “Bombshell”

BEST ORIGINAL SCREENPLAY

Noah Baumbach, “Marriage Story”

Boon Jong-Ho, “Parasite”

Emily Halpern, Sarah Haskins, Susanna Fogel and Katie Silberman, “Booksmart”

Quentin Tarantino, “Once Upon a Time…in Hollywood”

Lena Waithe, “Queen & Slim”

BEST ADAPTED SCREENPLAY

Anthony McCarten, “The Two Popes”

Todd Phillips and Scott Silver, “Joker”

Taika Waititi, “JoJo Rabbit”

Greta Gerwig, “Little Women”

Steven Zaillian, “The Irishman”

BEST CINEMATOGRAPHY

“1917” — Roger Deakins

“The Irishman” — Rodrigo Preto

“Joker” — Lawrence Sher

“The Lighthouse” — Jarin Blaschke

“Once Upon a Time…in Hollywood” — Robert Richardson

BEST EDITING

Bong Joon-Ho, “Parasite”

Jennifer Lame, “Marriage Story”

Fred Raskin, “Once Upon a Time…in Hollywood”

Thelma Schoonmaker, “The Irishman”

Lee Smith, “1917”

BEST PRODUCTION DESIGN

"1917"

"The Irishman"

"Little Women"

"Once Upon a Time…in Hollywood"

"Parasite"

BEST VISUAL EFFECTS

"1917"

"Ad Astra"

"Alita: Battle Angel"

"Avengers: Endgame"

"The Irishman"

BEST MUSIC SCORE

"1917" — Thomas Newman

"Ad Astra" — Max Richter

"Avengers: Endgame" — Alan Silvestri

"How to Train Your Dragon: Hidden World" — John Powell

"Marriage Story" — Randy Newman

BEST SOUNDTRACK

"Frozen 2"

"Once Upon a Time…in Hollywood"

"Rocketman"

"Waves"

"Yesterday"

BEST ACTION FILM

"1917"

"Alita: Battle Angel"

"Avengers: Endgame"

"Captain Marvel"

"John Wicks 3: Parabellum"

BEST ANIMATED FEATURE

"How to Train Your Dragon: Hidden World"

"Frozen 2"

"Klaus"

"The Missing Link"

"Toy Story 4"

BEST COMEDY

"Booksmart"

"Dolemite Is My Name"

"The Farewell"

"JoJo Rabbit"

"Knives Out"

BEST DOCUMENTARY

"Apollo 11"

"The Biggest Little Farm"

"Honeyland"

"Linda Ronstadt: The Sound of My Voice"

"Where’s My Roy Cohn?"

BEST HORROR FILM

"The Lighthouse"

"Midsommar"

"Parasite"

"Ready or Not"

"Us"

BEST INTERNATIONAL FEATURE (FOREIGN FILM)

"By the Grace of God"

"Long Day’s Journey into Night"

"Non-Fiction"

"Pain and Glory"

"Parasite"

BEST SCENE

Avengers Assemble in “Endgame”

Charlie and Nicole fight in apartment in “Marriage Story”

Charlie sings “Being Alive” at a bar with his theater friends in “Marriage Story”

Cliff Booth visits Spahn Ranch in “Once Upon a Time…in Hollywood”

Jack visits remote cottage in “Yesterday”

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