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Made in St. Louis: UCity artist combines beads, florals, stories in her jewelry pieces

Made in St. Louis: UCity artist combines beads, florals, stories in her jewelry pieces

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When Taylor Saleem found a part-time job in college at a local bead store, the political science major with a minor in communications didn’t realize the position would impact her career path. “The owner me asked me if I could tie off and crimp during the interview. I said, ‘Of course.’ Then she mentioned five different skills, I said yes to each, and she hired me.” Saleem then headed to the library to learn the techniques she’d claimed to know.

“I worked at the store from 2001 to 2006,” Saleem says. In 2003, she launched Rare Bird, a line of beaded jewelry. A chance encounter at a flamework bead-making class with a group of women metalsmiths fueled her desire to work with metal, most often sterling silver. In 2014 she changed her company name to Taylor Saleem Jewelry.

Moving to metal • As a budding metalsmith, Saleem watched YouTube tutorials, read articles, experimented and discovered happy and not-so-happy accidents in the process. “I like to say if you don’t know the rules, you don’t have to follow them,” she says.

Made in St. Louis, Taylor Saleem jewelry

“I’m a woman of many hairstyles and pairs of glasses, but I’m true to Diet Coke alone," Taylor Saleem says of this portrait. She connects the dots from her life and work in this social media post, which also shows a finely worked bird necklace of her making. Photo by Taylor Saleem

“At first, most of my tools came from the hardware store. I took my father’s mallet from his garage, and I use it still. For hand finishing I’ve used sanding sponges and things I’ve found at Lowe’s. I don’t know the proper terms for some things, so when I teach I’ll say ‘you smudsh this’ or ‘push this together,’ but that’s OK. Find what works for you.”

After the birth of her daughter, Naomi, Saleem set up a studio in a spare bedroom at her University City home. “My husband tore apart an old writing desk, raised it up and modified it for my workbench. We call it the Franken-bench,” she says.

The pieces she created on that ersatz bench led this outgoing artist on a revealing journey of self-discovery.

A heritage in silver, stones and beads • Saleem often enhances her sterling silver jewelry with turquoise or sapphires, cool colors that hint of the oceans. Hanks of African trade beads and glass beads hang on the wall.

Made in St. Louis Taylor Saleem

These three earrings, in combination of worked florals and trade beads, unites Saleem’s European and African ancestry in the design. Photo by Taylor Saleem

“I learned my heritage is 17 percent Nigerian through My beadwork is influenced by the multistrand jewelry of the Yoruba tribe. I recently bought 45 pounds of African trade beads from a gentleman from Gabon that I am incorporating in my pieces,” she says.

Saleem, who is biracial and identifies as Black, integrates her European ancestry into her pieces with flowers, cut into metal or cast. “When I worked part-time as a librarian, I discovered Culpepper’s Complete Illustrated Herbal,” she says. The book Nicholas Culpepper penned more than 350 years ago still inspires herbalists, writers and artists today with its complex language of flowers.

Each photo in her Taylor Saleem Jewelry Instagram account carries Saleem’s notes, often lyrical, sometimes funny, and always encouraging. “Storytelling is important in my work. I have depression, which went undiagnosed for a long time. Now diagnosed and treated, when I’m feeling something I can’t verbalize, I can say it through the flowers.”

Made in St. Louis Taylor Saleem

Saleem describes her multi-strand glass and trade bead necklace, a nod to the style of Yoruba beadwork, as more color, patterns, and sizes of beads that clash, yet are spectacular in contrast, Pulled together under silver caps. Harambee. Swahili for unity.

Photo by Taylor Saleem

Art and life in the time of COVID • Saleem works each day to find balance during the pandemic. “Sales have increased dramatically since the shutdown. I think it’s because people are staying home, looking for ways to connect through the internet. Independent of saying ‘I have these things for sale’ I’ve been open with my followers. Teacher, mom, wife, chef, artist — I’ve shared my struggles with them.”

To help keep their children occupied during the workday, Saleem and her husband, Joshua, instituted “Camp Saleem” at their home. “We made a big chart with a fun list — read a book, write a letter, call a friend — we’ve got tons of suggestions. They have to complete 10 things every day from the list. I get lots of visits when they come in to tell me what they’ve done. There’s been many late nights when I can finally work,” she says.

But also ... art and racial justice • Saleem believes the death of George Floyd and the aftermath of protests changed the dynamics of race, even in the art world. “People are taking a closer look at artwork from people of color. They want to know the influences behind the work, and not just think ‘Oh that’s cool. I’ll buy that.’ There’s a shift from cultural appropriation to cultural appreciation,” she says.

Made in St. Louis by Taylor Saleem

The tree-like tracery of dendritic agate meshes perfectly with Saleem’s cast crepe myrtle pods in this asymmetrical necklace. Dendritic agate is known as ‘the stone of plentitude’ while crape myrtle often symbolizes good luck in love, marriage, and prosperity. Photo and video by Taylor Saleem

“I’ve got a lot of pieces I call ‘but also.’ Those are the pieces with African trade beads combined with florals. I’m not just one thing. Yes, I’m a businesswoman and I’m a mom. I’m Black, but I have European ancestry. I want people to know they don’t just have one story. Our but also ... stories create better understanding of who we are.”

Taylor Saleem Jewelry

Artist • Taylor Saleem

Age • 35

Family • Husband and business partner, Joshua Saleem; daughter Naomi, 10; William, 7. Last February the family lost Ruthie the beagle who slept under Taylor’s bench most days until she died at age 14.

Home • University City

What she does • Saleem is a skilled metalsmith, mostly self-taught, who works primarily in sterling silver accented stones, beads and more to create jewelry with inspired by her lived experience and both her African and European heritage.

How much • Most pieces are in the $130 to $300 range; a few are slightly higher

Where to buy • Saleem primarily sells through her website Her work is also for sale at Urban Matter and Union Studio in St. Louis and at the Artisan’s Bench in Brighton, Michigan.

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